DJ/Producer based in Berlin. JKS started his career with the Molekül label, where he quickly made a name for himself by pushing the boundaries of electronic music. His passion for innovation led him to explore new artistic directions, ultimately resulting in the creation of his own imprint, “Smile Sessions,” in 2020.
His tracks are a dynamic fusion of classic techno rhythms and contemporary elements, creating a rich and diverse musical landscape. In his DJ sets, JKS is known for his ability to expertly control the energy of the crowd, guiding them through a journey that oscillates between order and chaos. His eclectic style and fearless experimentation make each performance a unique experience, leaving a lasting impression on his audience.
Hey, Valentin! It’s great to have you with us. Could you start by introducing yourself?
I’m Valentin, a 27-year-old producer and DJ who’s been immersed in the world of music since the age of 8. I’ve been fortunate enough to turn my passion into a profession at 21. My musical journey has deep roots in percussion, which I studied for a decade. In 2020, I took a significant step by founding my own label Smile Sessions, which has already released six records. I’ve also had the pleasure of contributing to Molekül, a Parisian techno label.
How did you first get involved in electronic music, and when did you realize it was something you wanted to pursue professionally?
My entry into electronic music was a natural evolution from my roots in rock. From 2008 to 2013, I was the drummer in a rock band. During this time, I began incorporating electronic elements into our sound using Reason 5 software. As I took on the role of crafting electronic drums and sounds, I discovered a new passion.When the band parted ways due to academic commitments, I was driven to continue creating music, which led me to start a solo project. My commitment to music as a career path solidified during my three-year sound engineering studies. While working as a sound engineer for French TV, I continued to develop my music on the side. The turning point came when my DJ gigs began to outpace my engineering job financially. This realisation prompted me to fully commit to my artistic projects, dedicating myself entirely to music.
Speaking of your beginnings with the Molekül label, you started by contributing to various compilations before releasing a solid EP that showcased a futuristic fusion of acid-driven techno. What’s the story behind your connection with this label, and how did it influence your sound?
My journey with Molekül began in 2016 during my studies, as a collaborative effort with friends Gabriel (the current label manager), Mayeul, and Dario (Airod). We were all young and excited to embark on this project together, making collective decisions about the label’s direction. Our sound was heavily influenced by the acid techno scene from London, particularly the Stay Up Forever label. Our very first release featured producers from this legendary UK label, marking the beginning of Molekül’s adventure. The label’s early sound was deeply rooted in the old-school UK techno style, showcasing artists like Chris Liberator, Dave The Drummer, and Guy McAffer. Molekül011, featuring my track “Express Yourself,” became one of the label’s most notable releases and arguably the catalyst for Molekül’s success. We inadvertently introduced the acid techno sound to the Paris scene, which proved to be a pivotal moment for us. Over time, both the label’s sound and my own have evolved significantly. While our current music differs from our earlier work, you can still hear the old-school influences and spirit in our releases. This evolution reflects our growth as artists and our commitment to pushing boundaries in the techno scene.
Could you walk us through your daily workflow, whether it’s focused on touring or music production? How do you typically find inspiration and connect with music, people, and club audiences?
My workflow is dynamic, adapting to my mood and inspiration phases. During extensive tours, especially to destinations far from my home in Berlin, I prioritise experiencing new places over studio time. This travel not only broadens my horizons but also fuels my creativity. Upon returning from tours, like my recent trips to Asia and Australia, I feel recharged and eager to dive back into the studio. Similarly, attending parties as a spectator rather than a performer is crucial for my creative process. Experiencing good techno or electronic music in clubs often sparks my desire to create. I’ve learned to respect the ebb and flow of my creative cycles. When inspiration is elusive, I shift focus to other aspects of my career, such as label management, new projects, or upcoming releases. I’ve also recognized that I work best when I alternate between focused production phases and DJ-centric periods. During production-heavy months, I immerse myself entirely in creating music. When I feel the need to shift gears, I dedicate time to discovering new sounds and expanding my musical repertoire for DJ sets. This balance between production and DJing allows me to maintain enthusiasm and quality in both areas. Understanding and adapting to these natural cycles has been a valuable lesson, enabling me to navigate my career more effectively and find greater satisfaction in my work. It’s a constant process of self-discovery and adaptation, but it’s what keeps my passion for music alive and evolving.
You were born in France but relocated to Germany – Berlin — how has that move influenced your work? What differences have you noticed between those the music scenes?
My roots are in a small city two hours east of Paris, so I grew up away from the capital’s intensity. After eight years in Paris, which was a necessary phase in my development, I felt my creative spirit and projects needed a change of environment to nurture my inspiration and provide more mental serenity.
The move to Berlin has significantly influenced my work by reconnecting me with my musical roots, particularly in drums and percussion. It’s helped me refocus on rhythm, which I consider the essence of techno. At a time when my music was diversifying in style and incorporating various elements, this relocation facilitated a return to basics. I’ve learned to prioritise quality and coherence over quantity in my productions.
Berlin’s music scene is remarkably diverse, with a multitude of clubs and electronic artists pushing the boundaries of techno in various directions. This diversity offers endless learning opportunities and exposes me to numerous interpretations of techno, all presented in exceptional conditions. The emphasis on atmosphere and sound system quality here is unparalleled, which was one of my primary motivations for moving.
I’ve found that people here understand and resonate with music in a way that aligns perfectly with my own sensibilities. This synchronicity between my professional life and personal passion has been crucial for my happiness and creative fulfillment, deciding to relocate relatively straightforward once I recognized the potential benefits.
The difference between the scenes is palpable. While Paris provided the intensity and foundation for my career, Berlin offers a broader, more diverse techno landscape. This environment continually challenges and inspires me, pushing my artistic boundaries and refining my sound. It’s not just about the music, but also about the culture and community surrounding it, which has profoundly impacted my approach to both production and performance.
Regarding your releases, what are you currently working on? Can we expect to hear more of your music, or are there any upcoming projects related to fashion or art?
I’m thrilled about several exciting projects in the pipeline. We’ve just completed work on the next various artists’ compilations for Smile Sessions, which I believe will be our label’s most significant release to date. This project features a collaboration with a talented producer from the Parisian scene, alongside contributions from several other artists. I’m incredibly proud of this compilation, which is scheduled for release in the coming months. Additionally, I have two notable remix projects on the horizon. One of these is particularly exciting as it’s for an electronic music legend. While I can’t divulge all the details yet, I’m honored to be part of these projects and look forward to sharing more information soon. A major highlight coming up is my first solo filmed Boiler Room set, set to be released in September. This event is especially meaningful to me as it took place in Berlin, allowing me to share the experience with my close friends and local supporters. It’s a significant milestone in my career, and I’m eager for everyone to see it. Lastly, I’m in the early stages of working on my next solo EP. This will be released on a label that my long-time followers are quite familiar with. While I can’t reveal too much at this point, I encourage everyone to stay tuned for updates. These upcoming releases and events represent an exciting new chapter in my musical journey, showcasing both collaborative efforts and solo work. I’m looking forward to sharing these projects with my audience and continuing to evolve as an artist.
Could you explain the concept behind Smile Sessions and the philosophy guiding the label? What inspired you to start it, and what was the impulse for this idea?
Smile Sessions was born during the COVID-19 lockdown in 2020. With an abundance of time on my hands, I decided to create my own imprint. The name “Smile Sessions” was chosen deliberately to challenge the often “dark” cliché associated with techno. I wanted to emphasise that the techno and electronic scene is also about creating joyful moments and memories.
The label’s philosophy is deeply rooted in human connections. I prioritise working with people I have a good relationship with, both musically and personally. I believe that when both these elements align, it results in the most beautiful projects. A prime example is our latest release, Smile Sessions 006, with Bailey Ibbs, who has become a close friend through our collaboration. Since moving to Berlin, I’ve had the pleasure of meeting many wonderful people in the industry. This has led to several exciting upcoming projects for the label, which I’m eager to share. Essentially, Smile Sessions is a reflection of my belief that the best music comes from genuine connections and shared positive energy.
Our magazine is also based in Asia, and you recently toured Seoul, Tokyo, and Shanghai. How would you describe the music scene in these cities, and what are some of your standout memories from the tour?
Touring Asia was undoubtedly one of the most enriching experiences of my career. It was fascinating to discover new cultures and witness how the electronic music scene manifests so far from my home base.Tokyo was a particular highlight. I was invited by the passionate team behind Ensite at Circus, and the experience was unforgettable. The club was packed, with the DJ booth situated in the middle of the dance floor, surrounded by energetic crowds. It was a dream come true to play in Tokyo, and the connection I felt with the audience surpassed many of my European performances.
Seoul also left a lasting impression. Playing at the renowned Faust was a fantastic experience. The city itself captivated me with its welcoming people and delicious cuisine. I extended my stay by a week to further immerse myself in Korean culture. Other memorable stops included Shanghai and Ulaanbaatar. Each city offered unique insights into local cultures and music scenes. It’s humbling to realise how music can be a gateway to experiencing such diverse countries and cultures. I’m incredibly grateful for these opportunities and am eager to return to Asia in the future. This tour reinforced my appreciation for the global reach of electronic music and the unique ways it’s interpreted and celebrated in different parts of the world. It was not just about performing, but also about cultural exchange and forging new connections, which are invaluable to me as an artist.
If you could tell us your ten favorite tracks from this year so far? What would it be?
Selecting only ten tracks is always a challenge, as there’s been an abundance of exceptional music released this year. However, focusing on the realm of techno and electronic music, here’s a curated list of ten tracks that have particularly resonated with me in 2024:
- “Steep” by Holden Federico
- “flex fm (freddit)” by Joy Orbison featuring Lil Yachty, Future, and Playboi Carti
- “Try Softer” by Benza
- “Carnal Fever” by Alarico
- “Hornet” by Pearson Sound
- “Signal Drive” by Stojche
- “Caging Green” by Rene Wise
- “Reframed” by Human Movement
- “Manic Room” by Bailey Ibbs
- “Aphid Riot (Broken Edit)” by Regent
What does the future look like for JKS?
I’m feeling really comfortable and full-blown with my project right now. What I can say for sure is that I won’t stop working on new projects and new music – it’s what makes me feel alive. You can expect a lot of new stuff through my label, maybe some new collaborations and concepts too.
One thing’s certain: my sound is always evolving. As it has changed until now, it’ll keep on changing. I think we can expect anything in terms of sounds. The mix of influences is really the most exciting thing about today’s electronic scene, and I can’t wait to explore new horizons through my music.
Who knows, maybe an album will see the light in the coming years!
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