Rheremita Cera (pron. they) is a transdisciplinary artist who provokes rupture with binary thought by reflecting on intersectional-transfeminist subjects through collaborations and experimental processes of composing performances, texts, videos, music, and sculptures.
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Brazilian-based in Berlin since 2016, Rheremita Cera performed for 10 years until 2021 as the vocalist in the lesbian-feminist-hardcore band Anti-Corpos, where they investigated guttural techniques and expanded their vocal notions obtained during their choir-singing studies between 2009 and 2011.
On their most recent album liveAlive – New Pussybilities in the Face of Mono-Culture, their punk rock background appears within its experimental tracks. Digital compositions are mixed with screams and poetry that draw connections among Queer and Sacred, Astrology and Technology, Ancient mythologies, and Man’s impact on Earth through the forced application of monoculture worldwide.
The album’s name evokes the emanative life inherent to creation and its fermentation processes.
Rheremita Cera is a sacred and divine non-binary myth, a timeless hermit, and a blue monkey. A performer and musician based in Berlin since 2016, they were born in Vl. Císper, São Paulo, Brazil, and studied classical music as an upright-double bassist and choir singer. Since 2017, they have been developing experimental projects that mix screaming techniques, digital compositions, and sound processing with video. Their work reflects a deep connection with intersectional feminist struggles, starting in 2010 with the lesbian-feminist-hardcore band Anti-Corpos, where oppressive themes were confronted directly through music, and continuing today with the multimedia work À VIVA, AVIVA!, which pays homage to ancient witches.
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